街舞全纪录

       终于看完这部电影，经过昨天晚上，今天中午，刚刚那半小时。关掉播放器时，心中突然涌出一种失落，可能还是因为两只没在一起吧。
       剧情来说，我非常喜欢，性格感觉有点压抑的宅男Doc主动勾搭超惹火的gogo，说是为了拍纪录片，结果可爱的gogo boy很轻松地答应了，真有那种屌丝被男神青睐的出乎意料和满满的幸福感。可是，拍着拍着，他们的界限也模糊了，床上的缠绵也多了。可是，gogo的一次放纵却让doc无法接受。。。
       其实，怎么说呢，这样一段关系也非常令人羡慕或是让人感动吧。毕竟他们也深深地爱过对方，看他们的亲吻就知道。doc爱gogo，在他面前，他放下了束缚，也许是他的罪恶感吧，在gogo那里，他是开心的，他说出自己的想法，他同他亲密地交流，发现了自己的另一面。可是他又极度重视感情中的忠诚，这也就是为什么他一直保留自己的第一次想给对的人，（很单纯的大男孩）。gogo也爱doc,他说doc是与众不同的，看他分手时的泪和逆光一吻，是那么温柔和充满爱意。其实不做恋人做朋友也很好啊，他们俩的生活方式差别还是很大的，doc也表示不喜欢gogo被那些咸猪手摸，如果真的在一起估计小小的吵架也不会避免吧。而朋友的关系就更加自由了，更何况他们已经把彼此深深的刻在自己的生命里。在最后，doc读着gogo发来的短信，证明他们还是十分亲密的,拥有这样的关系，也是一种美好。
        从风格来说，伪纪录片也还不错，配乐非常用心，感觉大家都在拼命地找里面的歌曲。画面十分清新，分手时的逆光，片尾初秋世界的失落和落叶，都美得让人惊叹。看着这部电影，突然想起了周末时光，同样地小清新，同样地有对一些问题的看法与讨论，可是周末中过客的感觉太强了，而这里，他们已是彼此生命中不可缺少的一部分。

Doc: Personally I think that it takes more courage to be average, to be boring and just try to simulate. I think it*s more threatening to statistically normal person to act like they do. Everyone can look at a homo, like really out there, act uniquely as he possbly can, kinda homo,and feel like they don*t understand that, and they don*t need to understand that, and they never will. But if we all acted and talked and thought the same way, think the minds we are gonna fuck.
Go: You*ve heard Hitler, right?
Go: You don*t wanna be normal, you wanna be an artist.
Doc: Being a artist is so overrated though. Everyone*s a artist, or at least they think they are. I think now more people believe that the only thing separating them from fame and fortune is the finish line of a reality show. I don*t know why my voice is any more unique than any oftheirs.
Doc: I don*t wanna be different. I don*t wanna be unique. I just wanna be like everybody else.
Go: As soon as you stick you thick dick up someone*s butt, you loss that luxury.

摘自他人记录的一段对话。
同时很喜欢他说那段: 你看我在笑其实我是觉得很embarrassed不想谈论这个话题。
整部影片致敬andy warhol的 kiss eat sleep 瞬间高逼格，找到资源一边玩手机一边去看看。
Time is time was,right?

Getting Go, the Go Doc Project (2013)
Soundtracks

Showing all 18 items
I Want You
Written by Daniel J. Cartier (sesac)
Performed by Daniel J. Cartier
Published by Daniel J. Cartier Music (sesac)
Courtesy of Daniel Cartier

One Thing
Written by Daniel J. Cartier (sesac)
Performed by Daniel J. Cartier
Published by Daniel J. Cartier Music (sesac)
Courtesy of Daniel Cartier

Bliss
Written by Daniel J. Cartier (sesac)
Performed by Daniel J. Cartier
Published by Daniel J. Cartier Music (sesac)
Courtesy of Daniel Cartier

Hold Up
Words by David Wojnarowicz & Brian Butterick
Music by 3 Teen Kill 4
Performed by 3 Teen Kill 4
Published & Courtesy of 3 Teen Kill 4

One To Glow
Written by Michelle Chamuel & Tyler Duncan
Performed by s/he
Published & Courtesy of s/he

Here With You
Written by Michelle Chamuel & Tyler Duncan
Performed by s/he
Published & Courtesy of s/he

The Horses Are Stuck
Written by Jordan Klassen & Jonathan Anderson (ascap/socan)
Performed by Jordan Klassen
Published by Endearing (socan)
Courtesy of Nevado Records

In Your Eyes
Written by James Gerard Mcdermott
Performed by The Irrepressibles
Published by Universal Polygram International, Inc.
Courtesy of Major Record Label Ltd.

I'll Maybe Let You
Written by James Gerard Mcdermott
Performed by The Irrepressibles
Published by Universal Polygram International, Inc.
Courtesy of Major Record Label Ltd.

Whistle (Beat It Up)
Written & Performed by Cakes Da Killa
Published & Courtesy by Richard Bradshaw

I Don't Wanna Dance
Written by Chris Gates & Tim Kerr
Performed by Big Boys

Sound on Sound
Written by Chris Gates & Tim Kerr
Performed by Big Boys

Fun Fun Fun
Written by Chris Gates & Tim Kerr
Performed by Big Boys

Fallin Fallen
Written by Michelle Chamuel
Performed by The Reverb Junkie
Published & Courtesy of Thick Glasses Music

Wind In The Wires
Written & Performed by Patrick Wolf
Published by Chrysalis Songs (BMI)
Courtesy of Bloody Chamber Music

Overture
Written & Performed by Patrick Wolf
Published by Chrysalis Songs (BMI)
Courtesy of Bloody Chamber Music

Wolf Song
Written & Performed by Patrick Wolf
Published by Chrysalis Songs (BMI)
Courtesy of Bloody Chamber Music

Hard Times
Written & Performed by Patrick Wolf
Published by Chrysalis Songs (BMI)
Courtesy of Bloody Chamber Music

ps.

因为特别想要电影1小时25分钟他们在天台上那段的背景音乐..

在谷歌. IMBD 油管上奋战了一天...

终于找到了那首. Bliss.

附上YouTube地址
//www.youtube.com/watch?v=_TKUuCRfSZw

--------------------------------------

2015-10-27更新
　　''Bliss'' has been uploaded to Youku, here's the link.
　　''Bliss'' 已上传至优酷. 地址如下
　　
　　http://v.youku.com/v_show/id_XMTM3MTE1NjA2OA==.html

另类的同时也是出乎意料的思想探讨话唠片，虽然话唠的比重不是很大，但造成的效果让这部片子大大超出了预期。
这个前半段看起来就只是想要接近美好肉体的猥琐宅男，最后真的选择了离开Go，尽管多少有些出乎意料，但听过他们关于“平常和激进”的探讨后也就不是那么意外了。毕竟使两个人最终能坚持携手的，是内心的追求，而不是脸和身体。

什么是真正的平常或激进？
common idea大概是，直人的生活是平常的，因为他们不特殊很无聊；同志的生活是激进的，因为他们天生的与众不同，使得他们的生活天生便被认为同样应该与众不同——与那些平常的直人不同，就像是如果你不打扮出光鲜的外表并过出光鲜的日子就枉生而为gay了。
但这些标签式的预期本身不就是很不平等的吗？同志群体一直追求的平等对待，除了不被干涉什么样的取向是正常的外，不是也应该包括不被有色眼镜们预设生活的面目吗？
像最后Doc到达Iowa后说的那样，我是一个同志，但我想要过的仍然是那种“平常”的生活，有自己的农场和猎枪，和相爱的人组建家庭共度一生——这反而成为了最“激进”的同志生活，因为这不是大多数人给我预设的生活。

当然，两种观点见仁见智，没有一定的对错，只是人们应当思考，自己一直坚持认为的是否正确。
对我而言，当片尾从small town boy in the city变成radicalized homo in the country的Doc说该是自己退场的时候了时脸上露出真正阳光的笑容时，我也发自内心的跟着他笑了。
这个升华的结局值得点赞。

-------------------------------
最后。

"I think that I have a lot of guilt, built up over the years from being a kid who always felt like he has to hide. This sense of being found out, or this worry that you grow up with as a gay kid, I guess it keeps me inhibited."
这段自白多少说出了我自己成长过程的心声。相信也是很多人的心声。